I visited a friend in Manchester for a weekend, had an amazing time hopping to museums and exhibitions. I went with her and her mum, it was a fun experience to visit a gallery with someone who doesn’t come from a creative background to observe how they interact and see art. We went to Whitworth Art Gallery where both Cornelia Parker and Sarah Lucas were exhibiting works. I was quite interested in Cornelia Parker, I know very little about her practice but a lot of what she creates seemed to have something quite destructive about it, especially the more process based works on paper and works with rope with for me, I felt there was a relationship between tension and destruction in a sense of how the materials destroy a surface. Her hot poker drawings really evoke this idea, initially I thought they were bullets and I could imagine the action in my head which resulted in the mark making, but when I found out they were hot poker drawings I sensed the painful burning of such a delicate surface. I was also taken by the serialism/patterns created by the poker which makes all seem like destructive/chaotic process are very normal.
I was also interested in Parker’s sewn definitions of opposing concepts. I liked how she had taken definitions from the dictionary. One was sewn to be read right to left and the other left to right. It was pretty difficult to decipher, but it made me think about my own practice and how there is a blurred line between opposing concepts. I think it’s very intriguing how we as humans can actually define such abstract concepts, for me these feelings and emotions are indefinable but how we use language to express a feeling or the intangible is something I’ll never really grasp but as it’s probably the most universal way of understanding one another there is no other choice but to use language as the tool of expression.
Having been researching Brancusi for my dissertation, I stumbled across his relationship with Rodin so I was amazed to see his sculpture of The Kiss wrapped up in rope. Within this context, I associated rope with the idea of either being bound or restricted both romantically and violently, as we know rope is a huge inspiration in my practice and I think of it as uniting opposites and I see similarities in Parker’s practice, especially after seeing the texts above.
I can’t say that I’m particularly interested in Sarah Lucas but it was good to see some of her works as I missed her exhibition at Whitechapel.